Thursday, 16 August 2012

Hussein Chalayan



Chalayan is an artist and designer, working in film, dress and installation art. Research Chalayan’s work, and then consider these questions in some thoughtful reflective writing.
1.       Chalayan’s works in clothing, like Afterwords (2000) and Burka (1996) , are often challenging to both the viewer and the wearer. What are your personal responses to these works? Are Afterwords and Burka fashion, or are they art? What is the difference?

I think the afterwords collection (2000) was very interesting, mind blowing. There were some unexpected twists to the work but to put it simply, he made/designed wearable, portable architecture. The collection showed me how innovative and creative Chalayan can be. I was baffled when I saw burka but at the same time I understood the message Chalaya was portraying. Ideas of modesty, femininity and identity came out in the burka show (1996). Its funny how clothing at times hides a person’s identity and the burka is one of them as it covers most of a woman's face and body for the sake of modesty. Covering a woman’s face to me doesn’t really change how sexual a woman is , even when naked. In this show Chalayan presented models wearing burkas and nothing underneath them each with a different length and one model was naked except for the sandals and mask. I think both shows are a mix of both art and fashion. There is not much difference between art and fashion

Not all clothing is fashion, so what makes fashion fashion? (Research some definitions  for these terms.)
2.       Chalayan has strong links to industry. Pieces like The Level Tunnel (2006) and Repose (2006) are made in collaboration with, and paid for by, commercial business; in these cases, a vodka company and a crystal manufacturer. How does this impact on the nature of Chalayan’s work? Does the meaning of art change when it is used to sell products? Is it still art?


Chalayan has an industrial background which has an impact on his work , so it is safe to say that his experiments go beyond fashion ideas.i don’t think art is really changed when it is being used to sell products, instead of the art being made and used for the sake of art, it is used for commercial reasons. So there isn’t much difference to change the meaning of art. art wouldn’t be a success if it did not sell.

3.       Chalayan’s film Absent Presence screened at the 2005 Venice Biennale. It features the process of caring for worn clothes, and retrieving and analysing the traces of the wearer, in the form of DNA. This work has been influenced by many different art movements; can you think of some, and in what ways they might have inspired Chalayan’s approach?

Science is an influence in his work because of the technology used in his work accompanied by industrialism; because of the fashion in the film are influences for this work. In the film the issue of identity is present, he shoes how some identities can or can’t adapt to new environments (this train of thought shows Humanism).

4.       Many of Chalayan’s pieces are physically designed and constructed by someone else; for example, sculptor Lone Sigurdsson made some works from Chalayan’s Echoform (1999) and Before Minus Now (2000) fashion ranges. In fashion design this is standard practice, but in art it remains unexpected. Work by artists such as Jackson Pollock hold their value in the fact that he personally made the painting. Contrastingly, Andy Warhol’s pop art was largely produced in a New York collective called The Factory, and many of his silk-screened works were produced by assistants. Contemporarily, Damien Hirst doesn’t personally build his vitrines or preserve the sharks himself. So when and why is it important that the artist personally made the piece?

During the Renaissance period artists were also known to not personally make all their work, their apprentices helped them produce the work. However the artists/designers do come up with the ideas so it isn’t important anymore that they haven’t personally made the works. If the artists and designers did not have help producing their work then some of it wouldn’t exists. But I think if the artist personally makes the work then it gains a bit more value.

              http://vimeo.com/7686397

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